Composer, artist, sensory percussionist and creative technologist currently based in London. Commissions include the London Symphony Orchestra, IRCAM, Orchestre Philharmonique de Radio France, Brussels Philharmonic and Schallfeld Ensemble Graz. Recent work commissioned and premiered at the Guggenheim Museum, FACT Liverpool, BEK Bergen and ZhdK Zurich. Work and research unfold between concert and electronic music, intermedia, hybrid performance, interaction design and installation. Interested in history of sonic culture, entertainment, psychoacoustics, automation, affect and simulation. 

camerongraham1 (@) gmail.com
instagram.com/poet_mechanic/

About

Current/Recent

Contact
WorklistMUSIC

Concert Music
Electronic Music
PERFORMANCEFake and Extinct
Admiror
J’ai Attrappé un Éclair
Abstracts, With Love
INSTALLATIONContact Results in Contagion
Your Body is a Colony
Zenith / Bernaskoni
Encounters
MOVING IMAGEMetamers
Rhadinace
Sound Design
RESEARCH/WORLDS Writing
Simulation


MUSIC

 → CHAMBER ENSEMBLE

abide within plenitude


SCORE LINK

Flute | Clarinet | Violin | Cello | RGB Film Palettes | Sine Tones

Commissioned by the Zürcher Hochschule der Künste [ www.zhdk.ch ] and Phillip Kocher [ http://philippekocher.ch/ ]

Staging a kinetic, processual ganzfeld experiment, the piece sensorialy magnifies and focuses extremely paired down sonic and acoustic information – surround sound ambience and large-screen colour palette films.  It is a quiet, bland but intense audiovisual space in which different sensory flavours no longer stand in opposition to one another, but rather abide within plenitude.

Back

Cinema Video (best with headphones, in darkness)



Live performance video