Cameron is a composer, sensory percussion drummer, intermedia artist and educator, interested in the capacity of intermedia worldbuilding and parafiction to structure, reorient and proliferate sonic and musical experience.
MUSIC
Electronic
Acoustic
Sound Design
INSTALLATIONContact Results in Contagion
Your Body is a Colony
Encounters
Zenith / Bernaskoni
INTERMEDIA / PERFORMANCEAdmiror
J’ai Attrappé un Éclair
Abstracts, With LoveVISUAL
Worlds
TextFILM
Metamers
Rhadinace
Biography
Soon/Recent
Press
Contact
Worklist
→ Writing / Research
PhD Thesis
Worlds. Metaphors. Icons. Staging the Creative Process as Steps to Worlding
- LINK to download
AS EDITOR
Dialectics of the Perfect Market
- Exhibition catalogue. Architect: Anton Gorlenko 2022
WRITINGS ON MY WORK
QUIETUS 2023 REVIEW – Becoming a Beach Angel
- By Skye Bouchard.
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SUR LE SEUIL - MODALITÉS PLASTIQUES D’ÉCRITURE DU SONORE ET DU MUSICAL
- Chapter section about the Poet Mechanic (2020).
By Frederic Mathevet. Editions Delatour.
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REVIEW ARTICLE WRITING
Tempo, Cambridge University Press
- Review of John Luther Adams’ Across the Distance, at the Royal Festival Hall, London, December 2015
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- ‘Spectrum of Sound’ at Southbank Centre & White Cube Gallery Residency, March 2015
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- ‘The New Experimentalists’ Concert Review, January 2014
< LINK >
C.U.P / TEMPO WEBSITE
ESSAY
Document(s): Symptôme(s), Hypothèse(s)
- ‘Failure’ 2020Document(s) 1 : Symptôme(s), Hypothèse(s), Manifeste(s). Revue trimestrielle de mise en abyme des Arts Sonores. Projet Bloom.
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Inky Needles Journal (PPE)
- ‘Black Butterflies’: Are there elements of Japaneseness in the music of Dai Fujikura & Toru Takemitsu? 2013
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FULL JOURNAL
MASTERS/PhD SUPERVISION
@ City University London -
cameron.graham@city.ac.uk
@ University of Surrey -
c.m.graham@surrey.ac.uk