Cameron is an artist, musician, sensory percussion drummer and educator, interested in the capacity of intermedia performance and technological experimentation to structure, reorient and proliferate sonic and musical experience.

instagram: instagram.com/cmbiragraham

Soon/Done

Biog

Contact
WorklistSOUND

Electronic Music
Instrumental Music
INSTALLEDContact Results in Contagion
Your Body is a Colony
Zenith / Bernaskoni
Encounters
PERFORMANCE+
INTERMEDIA
Admiror
J’ai Attrappé un Éclair
Abstracts, With Love
OTHER Writing
Simulation
FOR FILM
Metamers
Rhadinace
Sound Design

→ Writing / Research

PhD Thesis


Worlds. Metaphors. Icons. Staging the Creative Process as Steps to Worlding 2024
- LINK to download


AS EDITOR


Dialectics of the Perfect Market
- Exhibition catalogue. Architect:  Anton Gorlenko 2022


WRITINGS ON MY WORK



Quietus Album Review – Becoming a Beach Angel
- By Skye Bouchard 2023
LINK

SUR LE SEUIL - MODALITÉS PLASTIQUES D’ÉCRITURE DU SONORE ET DU MUSICAL
- Chapter section about the Poet Mechanic 
By Frederic Mathevet. Editions Delatour. 2020
LINK


REVIEW ARTICLE WRITING



Tempo, Cambridge University Press
- Review of John Luther Adams’ Across the Distance, at the Royal Festival Hall, London, December 2015
LINK


- ‘Spectrum of Sound’ at Southbank Centre & White Cube Gallery Residency, March 2015  
LINK
 

-  ‘The New Experimentalists’ Concert Review, January 2014
< LINK >

C.U.P / TEMPO WEBSITE


ESSAY  



Document(s): Symptôme(s), Hypothèse(s)
-  ‘Failure’ 2020Document(s) 1 : Symptôme(s), Hypothèse(s), Manifeste(s). Revue trimestrielle de mise en abyme des Arts Sonores. Projet Bloom.
LINK


Inky Needles Journal (PPE)
- ‘Black Butterflies’: Are there elements of Japaneseness in the music of Dai Fujikura & Toru Takemitsu? 2013
LINK

FULL JOURNAL

 

MASTERS/PhD SUPERVISION



@ City University London -

cameron.graham@city.ac.uk

@ University of Surrey -

c.m.graham@surrey.ac.uk