Cameron is an artist, musician, sensory percussion drummer and educator, interested in the capacity of intermedia performance and technological experimentation to structure,
reorient and proliferate sonic and musical experience.
instagram: instagram.com/cmbiragraham
Soon/Done
Biog
ContactWorklistSOUND
Electronic Music
Instrumental MusicINSTALLEDContact Results in Contagion
Your Body is a Colony
Zenith / Bernaskoni
Encounters
PERFORMANCE+
INTERMEDIAAdmiror
J’ai Attrappé un Éclair
Abstracts, With LoveOTHER
Writing
Simulation
FOR FILM
Metamers
Rhadinace
Sound Design
→ Writing / Research
PhD Thesis
Worlds. Metaphors. Icons. Staging the Creative Process as Steps to Worlding 2024
- LINK to download
AS EDITOR
Dialectics of the Perfect Market
- Exhibition catalogue. Architect: Anton Gorlenko 2022
WRITINGS ON MY WORK
Quietus Album Review – Becoming a Beach Angel
- By Skye Bouchard 2023
LINK
SUR LE SEUIL - MODALITÉS PLASTIQUES D’ÉCRITURE DU SONORE ET DU MUSICAL
- Chapter section about the Poet Mechanic
By Frederic Mathevet. Editions Delatour. 2020
LINK
REVIEW ARTICLE WRITING
Tempo, Cambridge University Press
- Review of John Luther Adams’ Across the Distance, at the Royal Festival Hall, London, December 2015
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- ‘Spectrum of Sound’ at Southbank Centre & White Cube Gallery Residency, March 2015
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- ‘The New Experimentalists’ Concert Review, January 2014
< LINK >
C.U.P / TEMPO WEBSITE
ESSAY
Document(s): Symptôme(s), Hypothèse(s)
- ‘Failure’ 2020Document(s) 1 : Symptôme(s), Hypothèse(s), Manifeste(s). Revue trimestrielle de mise en abyme des Arts Sonores. Projet Bloom.
LINK
Inky Needles Journal (PPE)
- ‘Black Butterflies’: Are there elements of Japaneseness in the music of Dai Fujikura & Toru Takemitsu? 2013
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FULL JOURNAL
MASTERS/PhD SUPERVISION
@ City University London -
cameron.graham@city.ac.uk
@ University of Surrey -
c.m.graham@surrey.ac.uk