Composer, artist and sensory percussion drummer, interested in the capacity of intermedia performance and technological experimentation to structure,
reorient and proliferate sonic and musical experience. Also making sound and music in collaborative projects with artists, filmmakers and researchers.
instagram: instagram.com/cmbiragraham
Soon/Done
Biog
ContactWorklistSOUND
Electronic Music
Instrumental MusicINSTALLEDContact Results in Contagion
Your Body is a Colony
Zenith / Bernaskoni
Encounters
PERFORMANCE+
INTERMEDIAAdmiror
J’ai Attrappé un Éclair
Abstracts, With LoveOTHER
Writing
Simulation
FOR FILM
Metamers
Rhadinace
Sound Design
→ Writing / Research
PhD Thesis
Worlds. Metaphors. Icons. Staging the Creative Process as Steps to Worlding 2024
- LINK to download
AS EDITOR
Dialectics of the Perfect Market
- Exhibition catalogue. Architect: Anton Gorlenko 2022
WRITINGS ON MY WORK
Quietus Album Review – Becoming a Beach Angel
- By Skye Bouchard 2023
LINK
SUR LE SEUIL - MODALITÉS PLASTIQUES D’ÉCRITURE DU SONORE ET DU MUSICAL
- Chapter section about the Poet Mechanic
By Frederic Mathevet. Editions Delatour. 2020
LINK
REVIEW ARTICLE WRITING
Tempo, Cambridge University Press
- Review of John Luther Adams’ Across the Distance, at the Royal Festival Hall, London, December 2015
LINK
- ‘Spectrum of Sound’ at Southbank Centre & White Cube Gallery Residency, March 2015
LINK
- ‘The New Experimentalists’ Concert Review, January 2014
< LINK >
C.U.P / TEMPO WEBSITE
ESSAY
Document(s): Symptôme(s), Hypothèse(s)
- ‘Failure’ 2020Document(s) 1 : Symptôme(s), Hypothèse(s), Manifeste(s). Revue trimestrielle de mise en abyme des Arts Sonores. Projet Bloom.
LINK
Inky Needles Journal (PPE)
- ‘Black Butterflies’: Are there elements of Japaneseness in the music of Dai Fujikura & Toru Takemitsu? 2013
LINK
FULL JOURNAL
MASTERS/PhD SUPERVISION
@ City University London -
cameron.graham@city.ac.uk
@ University of Surrey -
c.m.graham@surrey.ac.uk