Composer, artist and sensory percussion drummer, interested in the capacity of intermedia performance and technological experimentation to structure, reorient and proliferate sonic and musical experience. Also making sound and music in collaborative projects with artists, filmmakers and researchers.

instagram: instagram.com/cmbiragraham

Soon/Done

Biog

Contact
WorklistSOUND

Electronic Music
Instrumental Music
INSTALLEDContact Results in Contagion
Your Body is a Colony
Zenith / Bernaskoni
Encounters
PERFORMANCE+
INTERMEDIA
Admiror
J’ai Attrappé un Éclair
Abstracts, With Love
OTHER Writing
Simulation
FOR FILM
Metamers
Rhadinace
Sound Design

→ Writing / Research

PhD Thesis


Worlds. Metaphors. Icons. Staging the Creative Process as Steps to Worlding 2024
- LINK to download


AS EDITOR


Dialectics of the Perfect Market
- Exhibition catalogue. Architect:  Anton Gorlenko 2022


WRITINGS ON MY WORK



Quietus Album Review – Becoming a Beach Angel
- By Skye Bouchard 2023
LINK

SUR LE SEUIL - MODALITÉS PLASTIQUES D’ÉCRITURE DU SONORE ET DU MUSICAL
- Chapter section about the Poet Mechanic 
By Frederic Mathevet. Editions Delatour. 2020
LINK


REVIEW ARTICLE WRITING



Tempo, Cambridge University Press
- Review of John Luther Adams’ Across the Distance, at the Royal Festival Hall, London, December 2015
LINK


- ‘Spectrum of Sound’ at Southbank Centre & White Cube Gallery Residency, March 2015  
LINK
 

-  ‘The New Experimentalists’ Concert Review, January 2014
< LINK >

C.U.P / TEMPO WEBSITE


ESSAY  



Document(s): Symptôme(s), Hypothèse(s)
-  ‘Failure’ 2020Document(s) 1 : Symptôme(s), Hypothèse(s), Manifeste(s). Revue trimestrielle de mise en abyme des Arts Sonores. Projet Bloom.
LINK


Inky Needles Journal (PPE)
- ‘Black Butterflies’: Are there elements of Japaneseness in the music of Dai Fujikura & Toru Takemitsu? 2013
LINK

FULL JOURNAL

 

MASTERS/PhD SUPERVISION



@ City University London -

cameron.graham@city.ac.uk

@ University of Surrey -

c.m.graham@surrey.ac.uk