Cameron is a composer, sensory percussion drummer, intermedia artist and educator, interested in the capacity of intermedia worldbuilding and parafiction to structure, reorient and proliferate sonic and musical experience.

MUSIC Electronic
Acoustic
Sound Design
INSTALLATIONContact Results in Contagion
Your Body is a Colony
Encounters
Zenith / Bernaskoni
INTERMEDIA / PERFORMANCEAdmiror
J’ai Attrappé un Éclair
Abstracts, With Love
VISUAL
Worlds
Text
FILM
Metamers
Rhadinace


Biography
Soon/Recent
Press
Contact

Worklist

   


→ Writing / Research

PhD Thesis


Worlds. Metaphors. Icons. Staging the Creative Process as Steps to Worlding
- LINK to download


AS EDITOR


Dialectics of the Perfect Market
- Exhibition catalogue. Architect:  Anton Gorlenko 2022


WRITINGS ON MY WORK



QUIETUS 2023 REVIEW – Becoming a Beach Angel
- By Skye Bouchard.
LINK

SUR LE SEUIL - MODALITÉS PLASTIQUES D’ÉCRITURE DU SONORE ET DU MUSICAL
- Chapter section about the Poet Mechanic (2020).
By Frederic Mathevet. Editions Delatour.
LINK


REVIEW ARTICLE WRITING



Tempo, Cambridge University Press
- Review of John Luther Adams’ Across the Distance, at the Royal Festival Hall, London, December 2015
LINK


- ‘Spectrum of Sound’ at Southbank Centre & White Cube Gallery Residency, March 2015  
LINK
 

-  ‘The New Experimentalists’ Concert Review, January 2014
< LINK >

C.U.P / TEMPO WEBSITE


ESSAY  



Document(s): Symptôme(s), Hypothèse(s)
-  ‘Failure’ 2020Document(s) 1 : Symptôme(s), Hypothèse(s), Manifeste(s). Revue trimestrielle de mise en abyme des Arts Sonores. Projet Bloom.
LINK


Inky Needles Journal (PPE)
- ‘Black Butterflies’: Are there elements of Japaneseness in the music of Dai Fujikura & Toru Takemitsu? 2013
LINK

FULL JOURNAL

 

MASTERS/PhD SUPERVISION



@ City University London -

cameron.graham@city.ac.uk

@ University of Surrey -

c.m.graham@surrey.ac.uk