Artist, composer and sensory percussionist. Works unfold between concert and electronic music, intermedia, hybrid performance, interaction design and installation. Commissions include the Guggenheim Museum, IRCAM, Mozarteum Orchestra Salzburg, Brussels Philharmonic and Schallfeld Ensemble Graz. Recent and upcoming projects include Somerset House, London Symphony Orchestra, BEK Bergen and ZhdK Zurich. Interested in histories and ecologies of sonic culture, entertainment, psychoacoustics, automation and simulation. 


camerongraham1 (@) gmail.com
instagram.com/poet_mechanic/
soundcloud.com/cameronmichaelgraham


About
Current/Recent
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Musicꜜ
Concert Music
Electronic Music
Performanceꜜ
Puss
Fake and Extinct
Admiror
J’ai Attrappé un Éclair
Abstracts, With Love
Installationꜜ
Contact Results in Contagion
Your Body is a Colony
Zenith / Bernaskoni
Encounters
Moving Imageꜜ
Metamers
Rhadinace
Sound Design
Writing/Simulationꜜ
Writing
Simulation Projects    
→ CONTACT RESULTS IN CONTAGION




Supported by Solyanka Ground and British Council
Showings: Solyanka Ground Gallery Feb-April 2019

Concept, Design, Direction, Installation: Cameron Graham
Curator, Producer: Sasha Elina
Lighting; Elena Perlman
Architecture Consultant, Fabrication: Gleb Moskovin
Support: Arts and Humanities Research Council, SWWDTP Consortium, British Counci
"Contact Results in Contagion" is a music, living sculpture and installation project using the ritual of transition between states a conceptual container. The exhibition weaves through five constructed intermedia spaces to express cultural suspension, sensual saturation and the absurdity of mystical reverence. The exhibit progresses through sound, sound sculpture light, honey, wax and smoke towards a complete expression of audiovisual and sculptural iconography, unfolding a paraficitonal musical history around a mysteriosu sounding sculpture.