Composer, artist, sensory percussionist and creative technologist currently based in London. Commissions include the Guggenheim Museum, London Symphony Orchestra, IRCAM, Orchestre Philharmonique de Radio France, Brussels Philharmonic and Schallfeld Ensemble Graz. Recent and upcoming work commissioned by Somerset House, BEK Bergen and ZhdK Zurich. Work and research unfold between concert and electronic music, intermedia, hybrid performance, interaction design and installation. Interested in history of sonic culture, entertainment, psychoacoustics, automation, affect and simulation.

camerongraham1 (@) gmail.com
instagram.com/poet_mechanic/

About

Current/Recent

Contact WorklistMUSIC

Concert Music
Electronic Music
PERFORMANCEFake and Extinct
Admiror
J’ai Attrappé un Éclair
Abstracts, With LoveINSTALLATIONContact Results in Contagion
Your Body is a Colony
Zenith / Bernaskoni
Encounters
MOVING IMAGEMetamers
Rhadinace
Sound Design
RESEARCH/WORLDS Writing
Simulation

MUSIC

CONCERT MUSIC (selected works)

CHAMBER ENSEMBLE

Sweet People (2026)
For sensory percussion, ensemble, live generated film, fixed film, electronics and soundtrack

Untitled, Or, thirty-three confessions (2023)
For chamber ensemble, film and electronics

The Noise and Hardware Caravan Club (2021-22)
For ensemble, electronics, sonic automata, film and scenography

Life in Pink (2019)
For ensemble and stereo vinly players/soundtrack

Liquid Strange (2017-)
For object-instruments

...Kitty (2018)
For ensemble, tape players and objects-instruments

Abide Within Plentiude (2018)
For ensemble, electronics and RGB film

Untitled, Or, Symhony of Red Bubbles (2019)
For ensemble, electronics and film

SLOW.BURN.FOOTWORK (2019)
for Symphony Orchestra
version for Classical Orchestra

Thrift & Shambled Nuance (2018)
for Symphony Orchestra