Artist, composer and sensory percussionist. Works unfold between concert and electronic music, intermedia, hybrid performance, interaction design and installation. Commissions include the Guggenheim Museum, IRCAM, Mozarteum Orchestra Salzburg, Brussels Philharmonic and Schallfeld Ensemble Graz. Recent and upcoming projects include Somerset House, London Symphony Orchestra, BEK Bergen and ZhdK Zurich. Interested in histories and ecologies of sonic culture, entertainment, psychoacoustics, automation and simulation. 


camerongraham1 (@) gmail.com
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About
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Musicꜜ
Concert Music
Electronic Music
Performanceꜜ
Puss
Fake and Extinct
Admiror
J’ai Attrappé un Éclair
Abstracts, With Love
Installationꜜ
Contact Results in Contagion
Your Body is a Colony
Zenith / Bernaskoni
Encounters
Moving Imageꜜ
Metamers
Rhadinace
Sound Design
Writing/Simulationꜜ
Writing
Simulation Projects    
→ Puss
By Cameron Graham, Klara Kofen and Gary Zhexi Zhang
Commissioned by Somerset House for ‘3 Evenings’, part of London Frieze Week 2026



Puss is a robotic chamber play which reimagines a 17th-century fairytale about a cunning cat who is determined to help his penniless and witless master, the Boy, make his way in the world. A darkly enchanted picaresque journey paved with good intentions, Puss tells a story of bored gods, endless forgetting, and unforeseen consequences.

Through analogue and digital puppetry, the piece ventriloquise a motley cast starring a robotic dog on a treadmill moving through a live game-engine world, with a pre-recorded/modular score for classical instruments and electronics, along with live cellist Kirke Gross.