Composer, sound designer, sensory percussion artist and creative technologist. Work and research unfold between electronic music, intermedia, hybrid performance, interaction design and installation. Research, teaching and lecturing in and around theory and history of sonic culture, acoustics, automation and technological agency. 

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Electronic Music
Instrumental MusicINSTALLEDContact Results in Contagion
Your Body is a Colony
Zenith / Bernaskoni
Encounters
PERFORMANCE+
INTERMEDIAFake and Extinct
Admiror
J’ai Attrappé un Éclair
Abstracts, With LoveOTHER Writing
Simulation
FOR FILM
Metamers
Rhadinace
Sound Design

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Cameron is a London-based composer, artist and creative technologist working across live electronic music, intermedia performance, installation and exhibition and game engine simulation. Contained within sensual tapestries of kilter, self-exposure, woozy familiarity, absurd spirituality, parafiction and narrative intoxication, projects feature acoustic, electronic, hand-built instruments and visual design softwares. He uses a sensory sound percussion drum kit to activate larger compositional and performative settings; voices, sound/video samples and stage elements become furtive intermedial entities controlled by the immediacy and physical potency of rhythm and pulse. 

Work has been commissioned by the Royal Scottish National Orchestra, Brussels Philharmonic, L’Orchestre Philharmonique de Radio France, London Symphony Orchestra, Mozarteum Orchestra Salzburg, Moscow Contemporary Music Ensemble, and others. The intermedia collaboration Admiror, or Revolutionary Sentiments was commissioned and premiered at the Guggenheim Museum, New York in 2024. 

Other music, exhibitions and projects have been commissioned by Solyanka Gallery (Moscow), ICA London, BEK Bergen, and the Styria-Artist-in-Residence Fellowship (Austria) amongst others. He co-directs the screen media studio DOKCULTURE with filmmaker Fergus Carmichael, with commerical clients including Bvlgari, Ferragamo, The Barbican Centre, The Courtauld Gallery , Zenith, and Miu Miu. He lectures in composition and sound at City University London and the University of Surrey, and holds a PhD in intermedia research from Southampton and Bath University, funded by the AHRC. He has held professorial positions at Dulwich College and Ithaca College London. He is one part of the musical project Phorne with artist and dramaturg Klara Kofen.

Short copy for pub:
Cameron is an artist, composer and sensory percussionist whose work unsettles and reorients sonic experience through intermedia, parafiction, and simulation. His work draws on psychoacoustics, audio cultures, and the cultural histories of technology and automation. Projects unfold across installation, electronic music, hybrid performance, and interaction design. Recent work explores the role of the voice in histories of automation, capture, synthesis and AI-mediation––the  emergent social and ethical ambiguities that surround contemporary vocal agency and authenticity. Recent projects include ‘Abat-Voix’ (BEK Bergen), ‘Admiror, or revolutionary sentiments’ (Guggenheim NYC,), ‘J’ai Attrapé’ (Le Lieu Unique), ‘110 Fathoms’ (Matts Gallery). Awards include a British Council Grant for his solo exhibition ‘Contact Results in Contagion’ (Ground Solyanka) and a Styria Artist Fellowship. His electronic music is released on Phantom Limb, with a forthcoming album in 2026. Alongside his art and research, he lectures and supervises at the University of Surrey and City St. George’s University