Cameron is a composer, sensory percussion drummer, intermedia artist and educator, interested in the capacity of intermedia worldbuilding and parafiction to structure, reorient and proliferate sonic and musical experience.

MUSIC Electronic
Acoustic
Sound Design
INSTALLATIONContact Results in Contagion
Your Body is a Colony
Encounters
Zenith / Bernaskoni
INTERMEDIA / PERFORMANCEAdmiror
J’ai Attrappé un Éclair
Abstracts, With Love
VISUAL
Worlds
Text
FILM
Metamers
Rhadinace


Biography
Soon/Recent
Press
Contact

Worklist

   


→ BIOGRAPHY
Cameron’s work unfolds between cross-genre sound and performance works, installation and exhibition concepts, game-engine simulations and sound sculpture. Contained within sensual tapestries of kilter, self-exposure, woozy familiarity, absurd spirituality, parafiction and narrative intoxication, projects feature acoustic, electronic, hand-built instruments and visual design softwares. He uses a sensory sound percussion drum kit to activate larger compositional and performative settings; voices, sound/video samples and stage elements become furtive intermedial entities controlled by the immediacy and physical potency of rhythm and pulse.

His music is released on the UK-based label Phantom Limb. His debut album ‘Becoming a Beach Angel’ was released on vinyl and digital in August 2023. Two further releases are scheduled for 2025. Acoustic and electroacoustic compositional works have been commissioned by the Royal Scottish National Orchestra (UK), the Brussels Philharmonic Orchestra (BE),  L’Orchestre Philharmonique de Radio France (FR), the Mozarteum Orchestra Salzburg (AT), the Moscow Contemporary Music Ensemble (RU), United Instruments of Lucilin (LX), Riot Ensemble (UK), lovemusic collective (FR), the ZhDK Zurich (CH), Cyborg Soloists (UK), and others.

He holds lecturing positions at City University London (music journalism and criticism, studio composition, sound for moving image, and major project supervision) and the University of Surrey (composition, studio techniques, digital music). He has held a professorial position at Ithaca College London, and has given seminars and workshops at Goldmsiths University and Trinity Laban. His AHRC funded PhD (2019-23) explored staging, worlding and metaphorising the creative process (WORLDS. METAPHORS. ICONS. Staging the Creative Process as Steps to Worlding).

His solo exhibition, ‘CONTACT RESULTS IN CONTAGION’ was showcased at the Solyanka Gallery, Moscow in ‘20. It was awarded a British Council production and arts grant. He was commissioned by the Schalfeld Ensemble as a Styria-Artist-in-Residence (St.A.i.R) fellow in Austria (2020-21).

He also co-founded and co-directs the creative production agency DOKCULTURE with artist and film director Fergus Carmichael, with recent projects including Ferragamo, The Courtauld Gallery, The Barbican Centre, Zenith and Miu Miu.